6/27/2023 0 Comments Simon i may destroy youSimon also puts Bella in the awkward position of confronting Kat and his mistress of 6 months. His lies immediately unravel after some Uber and ATM receipts come out. Visions of that night keep her from sleeping, so she decides to question Simon’s version of events. Since coming home, she’s attempted to convince herself she made the scene up in her head. She doesn’t remember everything, but she knows she hit her deadline. Her first instinct is to write the moment off as a false memory. Mostly, Arabella doesn’t want to be a victim. Instead, Michaela Coel engages a more complex framework from which to examine assault and healing: What happens when a woman no longer believes in her sense of self?Īrabella has the support of her friends and the police, but her attempts to gaslight herself at the episode’s start offer insight into the nature of victimhood. There are no friends who blame her for drinking or going out. There are no frustrating cops who question her story. So, it’s a relief I May Destroy You makes the choice to have its narrative exist within a structure that simply believes women. Across societies, victims struggle to be believed. I don’t believe the UK is some magic haven for victims. Terry and Kwame not only immediately believe her, they encourage Arabella to believe in herself as she questions her own narrative of events. When it comes to Arabella’s assault I May Destroy You doesn’t waste time with a Devil’s advocate or questions of blame. The support she’s given throughout the episode helps with the frustration of this tragedy. The plot moves quickly and still subjects Arabella to a number of brutal revelations. “Somebody Is Lying” has incredible pacing for such an intimate episodes. I MAY DESTROY YOU SEASON 1 "Someone Is Lying" Was the vision real? Was it really one of the men she was with that night? Was it something she saw or something that happened to her? In a brilliant move, Michaela Coel’s script doesn’t force Arabella to take on the painful responsibility of confronting and undressing this trauma by herself. At the end of the pilot, when Arabella’s violent flashback hits viewers, there was a loss of direction. “Somebody Is Lying” details the personal aftermath and actual depth of Arabella’s attack. The show’s pilot is a whirlwind Arabella flies from Italy, handles meetings, manages a deadline and only remembers what happened when she finally gets to her room. For its raw courage and original brilliance, I May Destroy You has earned a Peabody.“Somebody Is Lying,” is a well-crafted episode. With a compelling narrative that mirrors the structural rhythms of psychological trauma, I May Destroy You defines the emergent subgenre of consent drama and, in the process, takes center stage in a developing cultural conversation around complex issues of sexuality and consent, freedom and abuse, friendship and trust. An unsettling mystery is set in motion, as Arabella sets out on a journey to reassemble the events and characters surrounding her rape, a process that causes her to reevaluate all the key elements of her life: her history and relationships, her identity and aspirations. Taking a break at a local nightclub, Arabella’s drink is spiked, and she awakens the next morning with fragmented memories of having been sexually assaulted. Set in contemporary London, Coel plays Arabella Essiedu, a celebrated social media influencer turned-novelist, with a fast-approaching book deadline and a bad case of writer’s block. HBO’s I May Destroy You is one of this year’s most talked-about scripted series, the provocative brainchild of British screenwriter, director, producer, and actor, Michaela Coel.
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